Philadelphia
Inquirer
Friday,
July 14, 2006
Pint-size productions
The Spark Showcase Festival
offers a smorgasbord of short plays, showcasing the work of 20 small theaters.
By Gene D'Alessandro For The Inquirer
Ten minutes. Ten stinkin' minutes. That's how short these little guys are.
We're talking plays - short plays. Highfalutin art that takes just minutes to
sample. Even folks with the shortest of attention spans can enjoy such sleek stagecraft.
Philadelphia's Spark Showcase Festival pays homage to this wildly popular
form of theater. Now ablaze in Old City, "10 for 10: An Evening of Ten-Minute
Plays" races through July 23, with 20 small theaters sporting their wares
at the intimate Mum Puppettheatre. Week One plays through Sunday; Week Two runs
Tuesday to July 23.
"Ten-minute-play festivals are a pretty big
deal," said Lane Savadove, founder and artistic director of EgoPo, the New
Orleans theater troupe displaced by Hurricane Katrina. "They're a place for
theater artists to develop."
They're also just plain fun. Or weird.
Or sexy.
Indicative of each company's mission for theatermaking, the signature
works are performed together, one after the other, allowing audiences to sample
many styles and moods.
"We're taking this thrilling ride together,"
said Karen Getz, co-artistic director of Tapestry Theatre, a troupe that focuses
on female theater artists. Getz and partner Kelly Jennings will stage the second
installment of their improvised action-adventure story Killer Pussy, about a feminist
superhero with a French accent, tail and claws.
"Think Batman meets
Kill Bill," Jennings said of the campy comedy that plays Week One.
Other
first-week participants include B. Someday Productions' 3x3+1 - three, three-minute
adaptations of classic works such as A Streetcar Named Desire and Moby-Dick. Twenty-three
youngsters perform in The Cruel Sister, a musical ghost story staged by MacGuffin
Theater & Film Co. Week One also features a 9-month-old baby, the onstage
grilling of a steak, and a play by absurdist master Samuel Beckett.
Tina
Brock felt Spark was the ideal outlet to introduce her new company, Idiopathic
Ridiculopathy Consortium. The group will stage Beckett's 1982 work, Catastrophe,
a bleak political parody described as "a moving art installation."
Brock said the festival provides a nice representation of the city's small theater
community.
"It's like when someone gives you a sample of new hair products
and says try this, see if you like it."
In this teeming age of instant
messages and Web surfing, the 10-minute play has become de rigueur in theater
circles. Inspired by the 10-minute-play series at the renowned Humana Festival
at the Actors Theatre of Louisville, the Spark Festival has become Philadelphia's
premier outlet for shorter works.
"We're really trying to make Spark
a promotional tool [for emerging companies]," said Spark producer Lisa Perine.
The Theatre Alliance of Greater Philadelphia developed the local showcase
in 2004 to assist companies with an annual operating budget of less than $200,000.
"These are the future theaters of Philadelphia," said Karen DiLossi,
Theatre Alliance director of programs and services. "[Spark] is a step toward
adulthood."
The alliance is an umbrella organization of 109 companies,
while Spark is a program within the alliance, with a mission to promote and provide
resources for the area's smaller troupes. Although 70 small theaters qualify as
Spark theaters, only 34 have signed on.
Still, Spark 2006 is twice the size
of last year's inaugural edition.
"There were a lot of doubters last
year, said Gregory Campbell, outgoing Spark Committee chair. "I remember
saying, 'We have 10 companies. If each company brings 50 people, that's 500 people.
We'll have a sellout.' "
Campbell's projections proved accurate.
All but one of last year's seven performances sold out. What's more, the inaugural
festival made money - money shared by the companies and used to finance this year's
edition.
The festival's second week will feature the Vagabond Acting
Troupe's Super Duper, a comic book come to life with tights-clad heroes and flashlights.
A pair of David Mamet-obsessed writers pitch their scatological drama in Luna
Theater's gritty comedy, Yes, Mamet. BCKSEET Productions pierces the Rupert Murdoch
myth with the satiric Lines Composed a Few Miles Above T/ntern Abbey, Part II
or How We Got America's Most Wanted and the New York Post.
Remember,
if you don't like what you see, don't panic. Something else will pop along in
just 10 minutes.
"My hope is that at least one person per night goes
away saying, 'Now there's one company I want to follow,' " DiLossi said.
Contact staff writer Gene D'Alessandro at 215-854-2889 or gdalessandro@phillynews.com.
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