
|
| | | | | "...magic!
Thats what Durang and IRC deliver."
--Philadelphia
City Paper |
|
| | |

The
Idiopathic Ridiculopathy Consortium was formed
in 2006 to present work from authors of the Theater
of the Absurd for audiences in the Philadelphia area.
Our mission is to present and preserve classic and lesser-known works by authors
from the loosely-defined "Theater of the Absurd" such as Eugene Ionesco,
Samuel Beckett, Harold Pinter and Edward Albee; to provide artistic opportunities
to actors, directors and designers interested in exploring their craft through
this uniquely theatrical form; to expose modern theater-going audiences to absurdism
and to develop new audiences for this work. We will present site-specific productions
which recreate the time and place where these works were first introduced, mainly
Paris in the 1950's and 1960's; particular emphasis will be on those works that
incorporate physical comedy, clowning, vaudeville and music hall elements.
| Tina
Brock 
Producing Artistic Director
|
Tina
Brock formed the IRC in 2006, and has directed seven of the eight IRC productions
since its inception, including Eugène Ionesco's Foursome; The
Leader, and Victims of Duty; Samuel Beckett's Ohio Impromptu;
Catastrophe, and Come and Go; Edward Albee's The Sandbox.
For Random Acts of Theater she directed Tennessee Williams' I Can't Imagine
Tomorrow and A Perfect Analysis Given by a Parrot. As a freelance actress
in Philadelphia and New York, she has appeared in theater, regional and national
commercials, television and film. As an actress, theater credits include Luna
Theater, Azuka Theater, Theatre Exile, Arden Theater Company, Philadelphia Theater
Company, Act II Playhouse, and Bckseet Productions. Upcoming: The Reindeer
Monologues (The Eight) in November and Nicky Silver's Raised in Captivity
in April 2009 for Bckseet Productions. She
has written, performed and directed two solo shows -- Tales from a White Hoe
and The White Hoe Returns for Philly Fringe 2004 and 2005. Tina studied
Journalism and Dance/Theater at University of Maryland and graduate studies in
Psychology while working in various incarnations at PBS affiliate WHYY-TV12 in
development, on-air fundraising and public relations. Over the past fifteen years,
she has also worked as a freelance producer and writer, and as an associate producer
on the NPR show, A Chef's Table with Jim Coleman. Television credits include
the pilot season of the short-lived Ghost Stories; many years as an on-air
spokesperson for PBS WHYY-TV12. |
Bob
Schmidt

Production
Manager | Bob
Schmidt is a founding member of the IRC and has appeared in all nine IRC productions
since the company's founding in 2006: Eugène Ionesco's Victims of Duty,
The Leader, and Foursome; Christopher Durang's The Actor's Nightmare,
Wanda's Visit, and Samuel Beckett's Catastrophe. One of his favorite
roles was Clov in Hunger Theater's production of Beckett's Endgame. Most
recently he appeared in Luna Theater Company's production of Israel Horwitz's
Line, and the IRC fundraiser Raw Onion: America Speaks Out. Prior to
returning to Philadelphia after attending Temple University, Bob spent nearly
a decade in Los Angeles, during which time he visited the Craft Services table
frequently while on break as Doogie Howser's stand-in. |
Lee
Pucklis 
Producing
Associate | Lee
Pucklis is a 25 year professional vet of the arts. He has acted and/or produced
on and off Broadway, in regional and stock theatre, film and TV. His formal training
came from Meisner, Strasberg, LeGallienne, and Lortel. Additional NY theatre work
includes the general management and stage and production management functions
at Lucille Lortel Productions, the Actors Studio, Union Square Theatre, American
Place Theatre, and Circle Rep. Lee is a past member of the NY League of Theatre
Producers, and also a former theatre program auditor for the New York State Council
on the Arts. Presently, he is a board member of the IRC aiding in fundraising
and production development. |

|
| 
|